Showing posts with label Photoshoot 3. Show all posts
Showing posts with label Photoshoot 3. Show all posts

Wednesday, 23 November 2016

Photoshoot 3: Surrealism Electronic Photomontage: Work Diary Evaluation -

Photoshoot 3: Work Diary Evaluation - 

Equipment Used: 
Canon EOS 450D, telephoto zoom lens 70mm-300mm, fill lights, black backdrop. 

Settings: 
1/60, F/16, ISO 200.

Lighting: 
Fill lights. 

Theory: 
The ideas behind humanity and how we all can be dissected to be understood more easily. 


Favourite(s):


This image is my favourite due to the abstract yet cohesive way in which the images joined together. I was able to capture more photographs of this subject in various positions which meant that I was able to layer multiple images together to create an interesting photo joiner portrait with surreal aspects such as the enlargement of the eye and other changes in scale. I also liked how the outline of the image did not stay solely within the framing of the background image unlike the two below; I believe this created a far more dynamic and interesting composition. 


Least Favourites:


This image is one of my least favourites due to the compositional framing and layering. Unfortunately I was unable to capture this model in various positions which meant the image remained more static. However, an element that I really like, the punctum of the image, being the secondary hands held together by the face which is a symbol used to allow the audience to infer a meaning whether related to emotional or religious. 


This image is one of my least favourites simply due to the use of large file images. The image ended up becoming too fairytale surreal as opposed to fine art surreal. This could have been amended in the editing process by using smaller images to layer and create the photo joiner. 
 
Evaluation and Development -
 
This series is not my favourite so far due to final aesthetic appearance of the images yet the technique is one that I have enjoyed experimenting with. The composition of the subjects during the studio element of the process was not as successful which made the photomontage element more difficult due to the limited combinations.
 
I have not planned to use this technique again in the future despite its surreal nature but mostly because it is not a combination of surrealism and fashion.
 

Photoshoot 3: Surrealism Electronic Photomontage: Contact Sheet -

Photoshoot 3: Contact Sheet - 







Photoshoot 3: Surrealism Electronic Photomontage: Straight Images -

Photoshoot 3: Straight Images - 


Electronic Photomontage:



This work worked well due to composition and the fact that I was able to take more shots of this model within the time constrictions. The additional shots allowed me more angles and lengths of zoom to work with resulting in a more dynamic image.



The above edited image had as many angles as the first model but the compositions of the subject were less interesting than the above. The layering appears more clumsy and that the cropped layers could have been changed in size to create a more flowing deliberate juxtapositional jagged edge.



This final outcome also shows the lacking positions provided by the model which meant that a less jagged and intriguing final image was created post-production. Additionally, the lighting changed on a few of the shots due to natural lighting disturbing the studio set up. The amend this I would change the set up of the studio or could have spent extra time editing the images to create a less natural cohesion between layers.

Photoshoot 3: Surrealism Electronic Photomontage: Image Bank -

Photoshoot 3: Image Bank - 

Definitions:
  • Surrealism:  A 20th-century avant-garde movement in art and literature which sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images.
  • Photomontage: 
Examples: 



(David Hockney)


(David Hockney)



(Tommy Ingberg)



(Tommy Ingberg)